
January 11, 1932 · 94 years old
Alfonso Arau Incháustegui (born 11 January 1932) is a Mexican filmmaker, actor, and singer. He worked as an actor and director in both Mexican and Hollywood productions for over 40 years, before his international breakthrough with the 1992 film Like Water for Chocolate, based on his wife Laura Esqui…

Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.

A mousy romance novelist sets off for Colombia to ransom her kidnapped sister, and soon finds herself in the middle of a dangerous adventure hunting for treasure with a mercenary rogue.

An aging group of outlaws in 1913 Texas look for one last big score, selling stolen Army rifles to a rogue Mexican general during that country's revolution, as the traditional American West is disappearing around them.

Three actors accept an invitation to a Mexican village to perform their onscreen bandit fighter roles, unaware that it is the real thing.

Paul Sutton, a young married soldier, befriends a pregnant lady who is petrified her father will disown her, and agrees to pose as her boyfriend. As time passes, they start growing fond of each other.

A mysterious black-clad gunfighter wanders a mystical Western landscape encountering multiple bizarre characters.

When tradition prevents her from marrying the man she loves, a young woman discovers she has a unique talent for cooking.

When the old owner of a dilapidated used car lot dies due to foul play, his young and ambitious hot-shot salesman and colleagues vow to save the property from falling into the hands of the owner's treacherous brother and used-car ...

A young woman goes in search of her midlife crisis suffering husband who left her.

A young boy, his family, and the migrant workers they hire to work their cotton farm struggle against difficult odds to raise and sell the crop. Meanwhile, the boy dreams of living in better conditions. However, with this particul...

1905, the cinematograph has reached Southern Italy, and casts fear among the people to whom it seems a devilish trick. They call it "o 'imbroglie din t'o lenzuolo" - "The Trick in the Sheet", as white sheets were used for screening.