Riccardo Floris

Vivien accompanies her partner Roy to his childhood home to prepare for the sale of the family estate. Their relationship is put into jeopardy when secrets from Roy's past are revealed.

1905, the cinematograph has reached Southern Italy, and casts fear among the people to whom it seems a devilish trick. They call it "o 'imbroglie din t'o lenzuolo" - "The Trick in the Sheet", as white sheets were used for screening.