
Following the May 1968 civil unrest in France, a deaf-mute and a con artist simultaneously stumble upon the remnants of a secret society.

A filmic essay on class struggle which draws on images from westerns but has no plot and is both an experiment in making a revolutionary film and an interrogation of how successfully such a film can be revolutionary.

Jean-Luc Godard is cinema, its quintessence. Having just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself.