
November 13, 1944 · 81 years old

After the death of her mother, which was ruled as suicide, a teenage girl comes back home to find her mother's husband, and a female photographer, occupying the house. But nothing is as it seems.

A filmic essay on class struggle which draws on images from westerns but has no plot and is both an experiment in making a revolutionary film and an interrogation of how successfully such a film can be revolutionary.

Fiorenza travels to Eritrea to see her dying father. Driven by the need to escape her strained marriage at home as well as the nostalgia of her childhood trips to Africa, she decides to stay in Africa after her father's funeral.