Cristiana Tullio-Altan

Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.

A filmic essay on class struggle which draws on images from westerns but has no plot and is both an experiment in making a revolutionary film and an interrogation of how successfully such a film can be revolutionary.

The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.